在沈阳想学影视剪辑就来迪派电脑学校，开设电脑设计培训,建工培训,小语种培训等课程适用于集体教学与个别指导相结合等方式”,培训整体偏重于实战型.为不影响您的学习,来校区前请先电话或QQ咨询,方便我校安排相关课程的专业老师为您解答~接下来迪派教育的小编为您分享,电影理论：我们为什么注意不到所有的剪辑点？

Still,the fact that we remain locked into the narrative when watching cuts of unrealistic viewpoints,such as a long shot of a tall bell-tower clock to a close-up of the ticking clock hand,is quite remarkable.Each of these actions is entirely alien to the real world.Famed editor and theorist Walter Murch puts it more poignantly:Every theatrical film,except perhaps Hitchcock’s Rope,is made up of many different pieces of film joined together into a mosaic of images.The mysterious part of,though,is that the joining of those pieces–the‘cut’in American terminology–actually does seem to work,even though it represents a total and instantaneous displacement of one field of vision with another,a displacement that sometimes also entails a jump forward or backward in time as well as space.

然而，当看到不切实际的视点（如从高大钟楼的长镜头深入时钟指针的特写镜头）时，我们仍然会陷入叙事中不可自拔，这一事实确实令人瞩目。每一个这样的情节都与现实世界毫无关联。的剪辑师和理论家沃尔特·默奇更加含蓄地说：“除了像是希区柯克的《夺魂锁》这样的作品外，每部院线电影都是由许多不同的片段组成的，它们首尾相连，构成一种影像的镶嵌画。不过，其中一个神秘的部分是，这些片段的连接，即美国术语中的“切”，实际上是有效的，尽管它表示一个画面与另一个画面的整体或瞬时的位移，有时这种位移还会导致在时间和空间上向前或向后跳跃。”

In the same chapter from his book In The Blink of An Eye,Murch goes on to say that it’s almost surprising that we were able to concede to the idea of editing without completely rejecting the disparity between two images conjoined to tell a story.That’s true.From the moment we wake to the moment we sleep,everything we see,even edited films,are in a single stream of continuous information.

在他的《眨眼之间》一书的同一章中，默奇进一步说明我们能够接受剪辑的理念而又不完全拒绝两个差异悬殊的画面承接而成的故事，着实令人惊讶。确实如此，从梦醒时分到酣然入睡，我们所看到的一切，甚至是剪辑过的电影，都在一个连续的信息流中。

Although,is that the case?Well,using a similar exercise to the one that gave Walter Murch the idea of using the blink as an edit point,we can see that we often omit visual information to stop becoming inundated with useless data.

这就是真实情况吗？那么，使用与默奇的以眨眼作为剪辑点的想法做类似的练习，我们可以看到通常情况下被忽略的视觉信息，以免被无用的数据淹没。

First,find an area of the room away from your monitor or phone to focus on.It could be a mirror,a television,a lunch menu—anything.After reading this sentence,look at the object,hold your focus for a few moments,then come back to the article.Unless you’re superhuman,all of the information between looking from the screen to the other area of the room gets omitted.And we’ll blink often while looking at the two points of focus,just like an edit cut.

首先，找到房间的某个区域，使其远离监视器或手机以进行对焦。它可以是任何东西，比如镜子、电视、或是午餐菜单等等。读完这句话之后，看一下被摄对象，将焦点保持一段时间，然后将视线转回到这篇文章。除非你是超人，否则从屏幕上到房间其他区域之间的所有信息都将被忽略。而且，当我们关注视线聚焦的两个点时，我们会经常眨眼，就像剪辑的剪切一样。

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